At my church’s recent annual charity garage sale, I found an oddity, a Jewish hymnal! When I told a Jewish friend, she was just as perplexed as I. This had to be explored. It was titled The Jewish Song Book Third edition, compiled for Synagogue, school and home, covering the complete Jewish religious year. It was composed, compiled and arranged for unison congregational singing and for solo and choir with organ or piano accompaniment using Israel’s religious folksong: the traditional Synagogue modes and melodies. It was issued to serve the “remnant” of Jewry after World War II, as a united voice of Israel in traditional sacred song. The book is unclear, but it apparently originally contained music by Abraham Zevi Idelsohn (1882-1938). However, this third edition was enlarged and revised in 1951. Some of the hymns were by A. Irma Cohon and she was the editor. So who is she?
Angie Irma Reinhart was born in Portland Oregon in 1890, educated at Hebrew Union College in Cincinnati, and got her degree in 1912 from the University of Cincinnati. Immediately thereafter, she married Rabbi Samuel S. Cohon who also attended the Hebrew Union College while studying for a degree at the University of Cincinnati. They had one son, Baruch Joseph. Irma’s brother, Harold Reinhart, was a prominent liberal rabbi in London, England. Irma was known as a Rebbetzin (wife of a Rabbi or a female religious teacher – she was both) and as a publisher. Her book, Introduction to Jewish Music, the first book on this subject in English, came out in 1923, much sooner than A.Z. Idelsohn’s 1929 book, which sometimes gets credit for being first. She collaborated with Idelsohn, a Hebrew Union College music professor, on various projects. Obviously, she respected him. The Jewish Song Book I found expanded Idelsohn’s work, and added the works of others, primarily Cohon’s translations, adaptations, and original works. She not only outlived Idelsohn, but did so in a big way. She died at age 100 in 1991.
In looking into the hymns and songs in the book, I found several of interest. “Purim Song”, as you would guess, is to celebrate Purim, which was March 12-13 this year (2017), “Sabbath’s Balm” has a more spiritual theme, the healing balm and living waters of Sabbath. “In His Unfathomed Ways” renders praise and prayer to the Rock of Israel, the Lord of Hosts. Her metaphors, similes and language sound quite familiar to this Christian’s ears. The most endearing song to me is “Yesterday’s Bubble” noted to be for Purim, but which sounds very current and for any day: “If I should assume importance . . . and by posing, should convince you that I am a handsome man, don’t believe me. . . If I play the man of riches . . . Don’t believe me. If I seem to shower money and acquire a mighty name, and by reason of my greatness, seem to set the world aflame, don’t believe me. If I pose as mighty learned and my wisdom I confess, if I am forever prating of my great broadmindedness, Don’t believe my airs and boasting, do not trust a word I say.” Somehow, I wasn’t thinking of Haman when reading this